Nine Inch Nails We’re In This Together

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I've become impossible  holding on to whenWhen everything seemed to matter moreThe two of usAll used and beaten upWatching fate as it flow down the path weHave choseYou and meWe're in this together nowNone of them can stop us nowWe will make it through somehowYou and meIf the world should break in twoUntil the very end of meUntil the very end of youAwake to the sound as they peel apart the skinThey pick and they pullTrying to get their fingers inWell they've got to kill what we've foundWell they've got to hate what we fearWell they've got to make it go awayWell they've got to make it disappearThe farther I fall I'm beside youAs lost as I get I will find youThe deeper the wound I'm inside youFor ever and ever I'm a part ofYou and meWe're in this together nowNone of them can stop us nowWe will make it through somehowYou and meIf the world should break in twoUntil the very end of meUntil the very end of youAll that we were is gone we have to hold onAll that we were is gone we have to hold onWhen all our hope is gone we have to hold onAll that we were is gone but we can hold onYou and meWe're in this together nowNone of them can stop us nowWe will make it through somehowYou and meEven after everythingYou're the queen and I'm the kingNothing else means anything

Were In This Together Tracklist

HALO 15: Were In This Together

Halo 15 was released as a triple single, with three different edits of Were in this Together and including two new tracks: 10 Miles High and The New Flesh, which both were included in the vinyl pressings of The Fragile, did not fit with the CD pressing of the album, which Reznor originally considered the definitive version of the album.

The singles also include the remix of The Day the World Went Away found on the vinyl version of Halo 13, the full length version of The Perfect Drug, which was only found on the non-US versions of Halo 11 and a mashup of Halo 14 tracks entitled Complications of the Flesh.

Tracklisting:

We’re In This Together

This is the original album version, found on The Fragile, yellow and green discs of We’re In This Together and Australian Into The Void. Beginning out of the ending of “The Wretched” with a machine-like, rhythmic sound collage, it builds in volume and intensity but stops to introduce the main rhythmic thrust of the song, a distorted and staccato guitar riff that runs through all of the verses. After the drums and wah guitar enter, Reznor begins yelling the first verse abrasively. The chorus is driven by loud, distorted and constant guitars and live drums accompanying more melodic and higher-pitched yelling by Reznor. After a second verse and chorus, a driving bridge featuring a wah guitar solo and walls of fluent guitars leads into a final chorus. A descending guitar riff from this chorus continues through the mellow coda of the song, a section which also shares the three-note motif used in “The Great Below” and the piano motif of “La Mer.” It eventually gives way to the opening e-bow guitar line of “The Fragile.” On the vinyl version, the segue from “The Wretched” is removed on the singles, the song is completely cropped from segues at the beginning and ending. An alternate version of the introduction was indexed separately and titled “Missing Places” on The Fragile: Deviations 1.

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Popularization In The 1990s

By the start of the 1990s, the music industry was enticed by alternative rock’s commercial possibilities and major labels had already signed Jane’s Addiction, and Dinosaur Jr. In early 1991, R.E.M. went mainstream worldwide with while becoming a blueprint for many alternative bands.

The first edition of the Lollapalooza festival became the most successful tour in North America in July and August 1991. For of who caught it near Los Angeles in an open-air amphitheater, “it felt like something was happening, that was the beginning of it all”. The tour helped change the mentalities in the music industry: “by that fall, radio and and music had changed. I really think that if it werent for Perry , if it werent for Lollapalooza, you and I wouldnt be having this conversation right now”.

Other grunge bands subsequently replicated Nirvana’s success. had released its debut album a month before in 1991, but album sales only picked up a year later. By the second half of 1992 Ten became a breakthrough success, being certified gold and reaching number two on the album chart.’s album , ‘ and ‘ along with the album collaboration featuring members of and , were also among the 100 top-selling albums of 1992. The popular breakthrough of these grunge bands prompted to nickname Seattle “the new “. Major record labels signed most of the prominent grunge bands in Seattle, while a second influx of bands moved to the city in hopes of success.

Change in sound

We’re In This Together Pt 1 Review

Inexplicably, Trent Reznor released his Halo 15 maxi-single everywhere but in the states. That move confused fans, most of whom had to import We’re in This Together Now, and didn’t know which was the definitive one. Part one is the only version to offer material unavailable anywhere else on CD, featuring The Fragile outtakes “10 Miles High” and “The New Flesh.” Unfortunately, those two tracks sound directionless and repetitive. The former song, with its too-short lyric, thrashes about, but like a suffocating fish. The latter is a less grating, but unexceptional ambient piece that could’ve come off the soundtrack for the PC game Quake. Luckily, “We’re in This Together” is a strong song. It’s nothing new for Reznor, who mined this adrenaline-infused, white noise territory to even better effect on “Wish.” But it’s a different turn for him emotionally the nihilism has given way to a light-at-the-end-of-the-tunnel epiphany. Who could have imagined a few years ago that he’d be singing , “none of them will stop us now/we will make it through somehow”? Ultimately, anyone interested would be far better advised to pick up The Fragile than this meager disc.

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